That Drifting Poo Was Far Too Meaningful! It's the TV Disappointments of the Past Year.

Looking back, we reflect on the television landscape of the past year, a selection of series stand out not for their brilliance, but for their spectacular shortcomings. Ranging from awkward sequels to confusingly poor documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this love/hate follow-up? Burdened with woeful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to find its footing. Briefly, as the third series started, it seemed as if it had at last hit its stride. Then arrived an installment centered on Seema’s natural deodorant. Little surprise the creator declared this would be the final series. It concluded on a low point; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Yet, viewers undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was almost the smallest of this drama's problems. The recipient of a very rare zero star review, it was difficult to know where to begin enumerating the flaws. The laughably leaden dialogue? The tedious glorification of affluence and materialism? The almost wilful parade of tropes? Acting so poor they felt borderline malicious? Suffice it to say “each and every one” and forget about this series again. Except, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the restraining orders, domestic violence claims and parental failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being indulged, so any sympathy this series might evoke should be reserved for the people who have had to endure proximity with this charismatic but dismissive narcissist.

The Iris Affair

Of course we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to indulge unconvincing dialects. But there were many other issues. Mainly that it was just profoundly dull; a conflict over drug-selling territory between various London picaresques which felt a bit basic.

With Love, Meghan

Considering the degree to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost easy to admire the Duchess of Sussex’s various forays into quaint lifestyle as intentional statements. But then you watch them and are compelled to admit that actually, they might have a point. It’s like watching a homeware magazine animated; a poster for evening drinks with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental platitudes and forgettable crafting “tips” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously interesting things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this documentary series chose not to say them. Instead, the experience was like reading a marketing brochure. She clearly has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any helps with this guarded non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star playing dead and a well-known personality managing her estate. What more could you ask for? As players competed, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a programme that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But unhappily, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated with care. Rather, the series struggled painfully to find the right voice, lumbering from strangely jaunty, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A total mess? Very much so.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about government agencies targeting – and eliminating – academics frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality renowned for sexual escapades as she prepared for her most extreme challenge yet. What on earth would possess her? What we craved was far greater interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Donald Grant
Donald Grant

Maya is a digital strategist with over a decade of experience in tech innovation and business development across Europe.